Wednesday, September 5, 2012

Media Education: A Book Review

Media Education: Literacy, Learning and Contemporary Culture is an excellent book by scholar David Buckingham of the University of London. Though published in 2003, the ideas presented in the work are very current and important to both the education and digital media literacy world of today.

The author discusses the changes in what childhood is like now compared to what it was, and how media literacy is more important as things change because children are growing up earlier due to the fact they have access to content much earlier in their lives than past generations (e.g. TV doesn't take time or much education to consume like reading a print Encyclopedia). Because of the decline in childhood, the need to help children identify how they consume and evaluate what they create in the media increasingly becomes more essential.

Buckingham offers a clear definition of media education: "Media education aims to develop both critical understanding and active participation. It enables young people to interpret and make informed judgements as consumers of media; but it also enables them to become producers of media in their own right. Media education is about developing young people's critical and creative abilities."

In relation to education, Buckingham seems to be focused primarily on what he calls the "widening gap" between what goes on in a student's life inside and outside the classroom. He pointedly notes that in many ways our current school culture is not only stagnant, but moving backwards as the world around it is continues to change rapidly.

Toward the middle of the book, the author gives many examples of effective ways media education can work in the classroom. He mentions topics such as production, language, audience, and representation as important concepts made up of many smaller sub-topics that should be a part of a media educator's curriculum. In addition to these topics, Buckingham also gives a brilliant overview of how media studies have often been misplaced and bounced around different fields. Some educators have felt that each department or subject should invest time and energy towards media education, while others have pushed the subject to certain fields like English and history. I think this is an important point, and one in which everyone should be thinking about. If media is such a large role in the average student's life, shouldn't each department be aware of the impact of that influencer on their student?

Central to his argument about media education in actual classrooms, Buckingham argues that production should be a pithy component of media education. His view of production however, is not merely expressing ideas or "displaying creativity", but the importance of the collaborative nature of production. Much of what the author writes when it comes to involving students in learning reminds me of Daniel Pink's book Drive: The Surprising Truth About What Motivates Us. This quote from Buckingham shares the concept of autonomy, an idea Pink wrote about extensively.
"Much of the value of practical work lies in the fact that it allows students to explore their affective and subjective investments in the media, in a way which is much more difficult to achieve through critical analysis. If it si to be effective in this respect, we have to allow - and consciously construct - a space for play and experimentation, in which there are genuinely no 'right answers.'" 
Later in the book, Buckingham makes some great points of how students must learn to effectively perform self-evaluations.  I feel like Buckingham's answers to the many questions posed throughout the book come back to helping children learn how to evaluate media and themselves. He points out that that a fundamental element is what motivates one to evaluate their consumption, production, and social connectedness with media. I think this is incredibly important. Buckingham predicts that "media education can potentially cross the bounderaies between formal education, everyday life, and public culture." It is my impression that such shifting of learning has been going on quite strongly since the book was written.

A final point I thought was fascinating is the seemingly subversive consumer culture role the media has played in the past, should be considered and handled in a way where teachers willingly recognize the influence it has on their students. Buckingham makes the point that it can be hard for students to take their teachers seriously if they are unwilling to recognize the problems of our current formal school culture. There is a difficult balance for educators to keep, and Buckingham talks about how teachers can open their classrooms by allowing students to express things, but must do so in a way that is still appropriate and clean.

I appreciate this book a great deal when it comes to my own thoughts and feelings of pop culture and education. Like Buckingham, I feel that more and more students are immersed in media and often don't know how to evaluate and critically understand what they are consuming and being influenced by. By properly taking a step back and discussing elements of media (and popular culture things like films) students can become more engaged in learning and will see the relevance of school in their lives. Also, I feel this kind of learning encourages informal education and life long learning in that students will develop passions and interests of which they will begin to seek out when not sitting in a desk at school

I feel like this book discusses important issues, and effectively illustrates the need to look at deeper aspects of education than what has been done in the past. Broad concepts like autonomy, trust, and being realistic can be applied in a variety of ways. Media education and literacy seems to be a field where these attributes are needed now more than ever to help developing students develop the skills necessary to engage in the world around them in meaningful ways.

Saturday, September 1, 2012

Inception, Othello, and the Internet


I chatted with Brother Burton the other day and he encouraged me to share some of my past thoughts
about digital culture and the relation to things I am passionate about. Below is an excerpt of a paper I 
wrote - of which I would love to hear your comments and thoughts. 

            Though the phrase “layered rhetoric” is not often used in literature criticism it is important when drawing connections between Inception and Othello. The term denotes multiple stages of rhetorical implementations directed towards a single desired outcome. In Othello Iago uses this model extensively in act three scene three. The first stage is best illustrated on line 3.3.135, as Iago’s comments begin a string of thoughts in the General’s mind. “Nay, yet there’s more in this. I prithee speak to me as to thy thinkings.” Othello’s desire to know the thoughts of the Ensign lead to the next stage. In referencing Iago, the Moor questions, “Why did I marry? This honest creature doubtless sees and knows more, much more, than he unfolds” (3.3.247). The idea that defines his marriage to Desdemona is changing. Arriving at the third and final level, Iago combines evidences both theoretical (the false dream of Cassio 3.3.415 - 430) and tangible (the handkerchief 4.1.163-200) as proof of Desdemona’s unfaithfulness. Thus Othello is fully persuaded by the layered rhetorical maneuvers of Iago. The single purpose of the wicked Ensign’s designs was achieved when Othello cries out, “I will chop her into pieces” (4.1.190).


            Unlike Othello, Inception depicts the characters literally traveling through layers in which the rhetoric is executed. The goal of the team is for Robert Fischer to break up his father’s company. The method is told clearly in the film when Eames explains the team’s goal in splitting the idea into emotional triggers. “On the top level, we open up his relationship with his father.... Say: ‘I will not follow in my father’s footsteps.’ Next level down we've accessed his ambition and self-esteem. We feed him: ‘I will create something myself.’ Then, the bottom level, we bring out the emotional big guns... ‘My father doesn’t want me to be him.’ That could do it” (Nolan). In the film these stages are all implemented and it is the final evidence of the handmade pinwheel that convinces Fischer of the idea the team had planted in the first layer. Like Iago, the heist members understands the power of ideas, “Once an idea’s taken hold in the brain it’s almost impossible to eradicate. A person can cover it up, ignore it- but it stays there. Information (may be forgotten) yes - But an idea? Fully formed, understood? That sticks” (Nolan). In both cases the criminal(s) use layered rhetoric to fully turn their subjects to a single goal.


            The layered rhetoric strategy used in these instances relies extensively on the subject feeling like they have generated the ideas themselves. It is Iago’s suggestion that gives Othello the idea of his wife’s unfaithfulness, but ultimately it is Othello’s own imagination that brings about his rage and the tragedy of the whole story. It is Fischer’s subconscious that brings him to the conclusion that he will break up his father’s company. Both Othello and Fischer’s behavior reflect Eames’ plot when he explains, “In the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind...Then we take Fischer down another level and his own subconscious feeds it right back to him.” Arther is impressed at this idea, “So he gives himself the idea.” To which Eames responds, “Precisely. That's the only way to make it stick. It has to seem self-generated” (Nolan). Iago follows this method very closely as he suggests concepts to Othello when he is relatively passive and unsuspecting. As he leads him to the next levels of rhetoric, Iago begins to reflect Othello’s fears and doubts, “Is’t possible, my Lord?” and “Is’t come to this?” (3.3.363-369) Later he even feigns caution when Othello expresses desire to kill his wife, “Nay, yet be wise; yet we see nothing done. She may be honest yet” (3.3.438). By countering the outrageous claim that Desdemona is unfaithful, Iago encourages Othello to fill his own imagination with opposing opinions. In the final moments of tragedy it is clear that Othello felt the idea was self-generated, and according to Eames it had to be for it to really work.
            Both Othello and Fischer experience a change in perspective and character in their respective narratives. Though it is unlikely that Nolan used Shakespeare as a text to base his film, the comparisons are striking. It is clear that Inception and Othello share similar elements; and though these connections are interesting, it is crucial to look further to obtain supplementary substantial meaning. Of the many different things one could consider in light of layered rhetoric and self-generated persuasion the Internet stands out. While the Internet offers a great wealth of information, it too can act as an Iago or Eames in that it can take away one’s life without the subject even knowing. A sad example of this “Internet inception” can be seen in a study conducted a few years ago.
          
            Nearly 40% of men and 53% of women who play online games said their virtual             friends were equal to or better than their real-life friends, according to a survey of             30,000 gamers conducted by … a recent Ph.D. graduate from Stanford University.             More than a quarter of gamers [who responded indicated that] the emotional             highlight of the past week occurred in a computer world (Alter).
            
In this study it can be observed that many people are being self-deceived by the virtual world. As new multi-level games and interactive software is created, many people find themselves living in a false reality. The Internet is just one example of how studying popular culture with the canon can be beneficial to living a more fulfilling and happy life. This evidence brings up the age-old question of why we study literature, and why we teach it.

What do you think? Has literature or pop culture better helped you understand your relationship with the Internet? Can the delightful Eames really be compared to the awful Iago? 

      

Friday, August 31, 2012

2 new blogs in a day

Wow - so I am in TMA 273 (a class taught in the film program about new media storytelling), IP&T 69something (a graduate seminar course about social media), and English 273 (obviously . . . digital culture!) and my brain is thundering on the Tron channel on Pandora. I guess I will get my fill of digital-ness this semester.

I started another blog today on a topic I have been thinking about for a very long time. I am really excited to learn how to be a better blogger, tweeter, and all that. In other words, I hope to be more fluent in consuming, connecting, and creating.

Brandon started a post about Netflix and Amazon that I feel is interesting right now. Being a film student I have watched tons of movies on Netflix. However, my wife and I recently decided to pull the plug on it because of our budget and desire to do other things with our time. This was a hard decision, but I did take comfort in the fact that Amazon Prime offers a pretty good deal. I will miss those blessed hours of watching Lost for hours on end, and my recent addiction to the original Star Trek series has slowed to a mere hunger.

As a filmmaker and consumer it will be very interesting to see how distribution of movies continues to change. In my New Media class my professor made a fascinating comparison of one of the original cameras/methods of distribution (the Kinetoscope) to the iPod/Youtube phenomenon of today. Viewing was done privately - like a peep show - in those todays. And today, most viewers are now watching films on their own devices, in an almost private way.

There will be time for many more posts, until then - stay well.